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Draped Velvet Dress, Photos

As promised, here are the worn photos of this years Christmas Costume!

These were taken at a Christmas tree farm. This was our fourth years photographing a costume there, and I think this year was the most successful. The lighting was on our side for once, and it’s easier to focus on a red dress than a white one. It’s also a really easy dress to lay out and walk around in since there isn’t a petticoat.

The only downside was it being a bit muddy and really cold. It isn’t a practical dress for December. But I think it looked lovely in this environment, so I’m glad that I didn’t let that stop me.

Construction notes on this dress can be found here. And making of videos are posted here.

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And that’s it! I think I have one more post going up before Christmas, but incase I forget: I hope you all have a wonderful Christmas, or Holiday, or if you don’t celebrate, then a really great week in general. Thanks for reading!

 

 
15 Comments

Posted by on December 18, 2016 in Completed Costumes, Fashion & Fantasy

 

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1890’s Day Dress, the “Pumpkin” Gown, Photos

Today I have some photos of my completed Orange Taffeta Dress to share! We photographed it in it’s natural habitat – a pumpkin patch!

These aren’t my favorite costume photos (I probably prefer last years) but I’m just happy we got some that were usable. The day we photographed this it was insanely windy to the point where the dress wouldn’t lay out properly. And since it was so difficult to control the dress I wasn’t comfortable walking in the dusty or potentially muddy areas, which left us with limited background options.

Luckily we managed to get a few I really like – though I would like to get more photos of it in calmer weather in the future, it has a lovely silhouette when it isn’t being battered by wind!

Construction notes about this dress and hat can be found here, here, and here. It was worn over a steel boned 1880’s style corset which was made from a pattern from “Corsets & Crinolines” by Norah Waugh. The skirt is supported by two petticoats that were taken up by three inches the night before this shoot so they would sit properly underneath the skirt. I also wore it with these boots* – you can’t see them in the photos, but they made me feel more authentic which has to count for something.

Now onto the photos!

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This one is my favorite. I love how the light catches the feather, and the waistline makes me feel better about how uncomfortable the stupid corset was!

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The abundance of “looking off into the distance” shots has to do with it being really sunny and that being the only way I could fully open my eyes.

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And that’s it! Thanks for reading – a new “Making of” post should be up tomorrow!

 
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Posted by on November 17, 2016 in 19th century, Completed Costumes

 

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Plaid, Pleats, and Piping – Making an 1830’s Dress, Part One

Plaid, Pleats, and Piping – Making an 1830’s Dress, Part One

This weeks post is about another new project, but this time i’m venturing into an era I haven’t sewn from in a while – the 1830’s! I went through a phase a couple years ago where I made three dresses inspired by this period, and I had so much fun making them. But for some reason I never revisited the period until now.

For Christmas I got Fashion: A History from the 18th to the 20th Century*, and looking at the silly 1830’s dresses featured in it reminded me how much I love the period. The dresses make me so happy, with the bold prints, large skirts, ridiculous sleeves, and delicate accessories. I still can’t get on board with the crazy headpieces, but I love everything else.

So when I was in Pennsylvania and came across a bright cotton plaid I knew it was time to make a boldly printed ridiculous 1830’s dress. This is the material was four dollars a yard, and I bought seven yards.

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I’m going to pair it with the orange taffeta leftover from my 1890’s Dress, and some berry colored velvet I got in NYC a while back.

When it comes to design I was a little bit conflicted. I originally wanted to make something based on this kooky dress, but the neckline and sleeves are quite similar to a dress I made in the past so that seemed kind of boring. And most of the other dresses I found were better suited for a less busy fabric.

I ended up mixing the dress linked above with the bodice design of this dress – I really like the piping, basque waist, the neckline, and the more elaborate sleeves. All those things make it more time consuming to make, but you know how much I love time consuming projects…

Here is my weird sketch which I didn’t really end up following (oops)
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I draped the pattern on my dress form, then transferred it to paper. The bodice is made up of 8 pieces, with an additional 4 pieces for the collar.

In the past when doing pleated collars I’ve pleated a rectangle of fabric, then cut it down to the shape I want. This time around I cut it down to the right size before pleating – which was kind of scary, since I was sure it would turn out the wrong shape. But it totally worked and made the process a lot easier, so i’m definitely doing it this way from now on!

I marked the pleat pattern onto the collar with chalk.
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Then used my iron to crease the tops of the pleats.

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Then actually pleated them and pinned everything in place! This is the front.

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And this is the back.

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The front panels were carefully pinned, then sewn together. It was unintentional, but the horizontal pattern ended up being almost symmetrical on these panels. They didn’t match up the first time I sewed it, but they were so close that I ripped the seam out and redid it so they match!

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The shoulder of the collar pieces were done up with piping sewn into the seam. The bottom edge was hemmed by eye, and the top edge was turned inward by a half inch. Then I hand stitched some piping around the neckline.

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To keep the pleats in place I loosely tacked them down from the underside. This was trickier to do than I was expecting. Since the fabric is so thin I couldn’t feel how many layers I was stitching through, and I ended up sewing through the front of the fabric a few times. Those stitches are pretty obvious since I used dark purple thread, which doesn’t match 80% of the colors in the bodice.

Luckily the crazy print also works to my benefit  – your eye skips over the visible stitches and assumes it’s part of the chaos that is this fabric!

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With the collar done the bodice assembly began! I made this more difficult by adding piping to every seam (something I’ve never done before). And I chose to use yarn as piping cord, which was way too thin and looked flat after being ironed. Not my best decision, but I kind of made it work!

These are the front panels…

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More front panels.

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And the back panels!

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The arm openings were finished with facings.

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And then the collar was sewn on! This was done by hand to avoid any visible topstitching.

After a quick fitting to check the length I hemmed the bottom edge and trimmed it with more piping.

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And now it was time for lining! This was assembled completely by machine and is made from muslin.

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It took me ages to get it pinned in properly – somehow the lining was too short, so it kept causing the front layer of fabric to bunch up. But I managed eventually, and sewed it in place by hand.

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I finished one of the back edges with bias tape (leftover from my 1890’s dress), then finished the other edge with a strip of bias tape that was turned inward and sewn down so it isn’t visible from the outside.

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The back closure consists of hooks and loops, which were sewn to the strips of taffeta.

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Unfortunately the print on the back of the bodice doesn’t line up perfectly, but it’s close-ish!

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Here is the front.

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And a close up of the pretty pleats! So far i’m happy with how this looks, though i’m second guessing my decision to go for a more complicated design. I think it might be a bit too busy – but the 1830’s were famous for being crazy, so maybe it works?

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That’s it for today! The next post will be about sleeves. I’m not sure if it will be about my 1890’s dress or this one, but it will definitely involve sleeves haha!

Thanks for reading!

 

 
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Posted by on September 9, 2016 in 19th century, Historically Inspired

 

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Gold and Ivory Gown, Photos

Here is the photo set that I promised! I didn’t think I would have these finished until tomorrow, but I got them done a day early (this may be the lamest Christmas miracle ever) so here they are.

For the third year in a row my dad and I went to a Christmas Tree Farm and asked if we could take photos. The people that own the farm said yes, so we spent a good hour taking pictures and looking for the best clusters of trees that would make a nice backdrop.

Last year our trip there wasn’t very successful since the dress didn’t really suit the environment. But this time it went wonderfully! I think the contrast of the white dress against the green is striking, and the headpiece works nicely with the surroundings. Plus it was a really nice day, which helped.

Usually I only post eight or so photos, but I couldn’t narrow it down this time so i’m posting double that!

If you’ve missed my “The Making of” posts about this project, they can be read here, here, and here. I also have videos about making it which are posted here.


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These ones turned out a little odd thanks to shadows from a tree that I didn’t notice until we got home. But I still like the pictures!

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And that’s it! This is definitely my last post before Christmas, and mostly likely my last post of the new year. I hope you all have a fantastic holiday (or week, if you don’t celebrate any of them) and a great start to the new year!

Thanks for reading!

 

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Making a Gold and Ivory Gown, Part Two

It’s time for the second post about making this years holiday dress! Part one can be read here and is about making the bodice. Today i’ll be going over how I made the sleeves, which i’m excited about because they are my favorite part of this dress. I wasn’t expecting to like them so much, since they are really simple, but I adore how the cuffs turned out. They have little bows on them so my wrists feel like presents!

I started by drafting a full length puff sleeve pattern. They flare out more at the bottom, so they have a slight bell shape but are pretty full at the top too. I probably would have made these wider but I was working with fabric limitations. I’m kind of happy the fabric restricted me, because the shape worked out really nicely and they probably wouldn’t have looked right if they were any bigger.

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I turned the bottom five inches of the sleeves edge inward by a half inch and sewed it down. Then turned it inward again so the raw edge was hidden, and sewed it in place with a whip stitch. I did this because the lower few inches of these sleeves have to be left open to allow my hand to pass through.  My hands are too big to fit if they are sewn closed all the way to the wrist cuff!

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I also gathered the lower edge of the sleeve down to my wrists circumference by hand with a running stitch that was pulled taught as I went.

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Then I cut out the lining for the cuffs, which are just rectangles of quilters cotton. I marked guidelines an inch away from each edge, then folded the raw edge up so it touched that line and sewed it in place.

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This way every edge of my cuff was finished.

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I pinned my sleeves onto the cuffs, with all the raw edges facing upward. Then sewed it down with my machine.

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The gathered edge was quite bulky so I topstitched over it several times until it became relatively flat. The backside of these did not look pretty, but they are functional, which is what matters most when it comes to the interiors of garments!

Since these cuffs are very fitted I decided to use hook/eye closures. I sewed two of these into each cuff – one at the top, one at the bottom.

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My cuffs fit perfectly at this point, but I realized later that I actually made them too small. The cotton had a tiny bit of stretch to it, so they eased nicely over my wrists. Once I added the top layer of fabric (which didn’t have ANY stretch) to the cuffs, they became much more difficult to hook up and I was left with some red marks after wearing them for long periods of time. Silly mistake on my part.

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Once the hooks were sewn in I trimmed the frayed edges at the cuffs.

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Then I cut out two pieces of ribbon and stitched them over the top side of the cuff, so all the ugly bits were hidden.

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Doesn’t that look so much better?

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Now it was time to make the bows for the cuffs. Here are the two lengths of ribbon I cut for them – I’d say I used around ten inches of ribbon for each one. I sewed the ends of the ribbon together so I had two circles, then pressed down in the center of the circle so I had two even loops.

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I wanted to use the same ribbon for the centers of the bows, but this ribbon is awfully wide for the centers of such small bows. So I folded the velvet part of the ribbon towards the gold trim and sewed it down. This created a quarter inch wide fold that made my ribbon a half inch smaller, and much more appropriate for these bows.

(I take bows very seriously, clearly)

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Then I wrapped the smaller ribbon around the center of each bow and sewed the ends together. And tah-dah, perfect little bows!

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I was going to put these on the backs of the cuffs, but they were so cute that I decided to sew them onto the front instead. Here they are pinned in place.

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And sewn on!

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Then I sewed up the side seam with a french seam. Like I mentioned earlier, I left the lower few inches open so I can fit my hand through.

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I sewed the bottom half of the sleeve on first, then gathered the top half so it perfectly fit into the arm opening. Then it was sewed in place with a whip stitch. I’ve been doing puff sleeves this way a lot recently because it lets me better visualize how dense I want the gathers to be before sewing them, which I like.

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At this point the interior of the bodice wasn’t looking great. It isn’t that bad, but there are some frayed edges and knots of thread which aren’t nice to look at.

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So I cut out a layer of lining from quilters cotton.

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Pinned it in place.

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And sewed it in with a whip stitch.

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Then my bodice, and sleeves, were complete! It still doesn’t look like much. I think this bodice really comes to life when it’s worn, it’s quite…flat looking when it’s just laid out. Luckily I will have worn pictures to share very soon – they should be going up on Wednesday or Thursday.

DSC_9744The final “The making of” post and video about this project will be up tomorrow! And that will be followed by photos of the finished ensemble. I got behind on my Christmas related posts, so you will be getting a lot of posts at once (I hope you don’t mind too much)!

Really quickly I wanted to mention the Christmas themed headpiece I made. It isn’t exciting enough to get it’s own post, but I’m really happy with how it turned out so I wanted to share it with you guys. A tutorial on the process of making it can be watched here, and photos will be below!

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Thanks for reading!

 

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Heinrich Mücke Inspired Dress, Photos

I have some photos to share today! It’s been a while since i’ve gotten proper pictures of a costume, so I’m excited about these.

These photos were taken in a pumpkin patch and in front of a corn maze that a local farm had set up. I took pictures in one last year but didn’t plan on doing it again this year since I didn’t feel any of my costumes were appropriate for the location.  But when we passed by this one I changed my mind. Something about the color of the corn and the reds of changing trees reminded me of my Heinrich Dress.

So my dad and I got up early on a Saturday and drove out to the farm to get some pictures! It was kind of a frustrating shoot because the camera seemed determined to focus on the corn instead of me, and things looked overexposed no matter how much I fiddled with the settings. But things turned out okay! I ended up with a few shots I really love, and a half dozen more that i’m also happy with. I think the costume has a Harvest Princess kind of vibe to it in this setting, which I really like.

More information about this dress can be found here.

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I was either squinting or had my eyes closed in most of these because it was so sunny, but I’ve tried to pick the ones where it looks intentional.

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Fun fact about these photos: I was barefoot in all of them because I thought the skirt looked better that way!

That’s it! Thanks for reading! A ‘Making of’ post will be up later in the week.

 
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Posted by on October 26, 2015 in Completed Costumes, Renaissance

 

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Making a Black Lace Dress, Part Three

 

We are onto the third and final blog post about this dress! Part one shows the process of making the bodice, part two shows the skirt, and this part will cover making the collar and adding the final touches. I also have video “progress logs” about this project posted here.

The most unique part of this dress is the collar.  This was a big part of what attracted me to the dress I used as inspiration, and what I was most excited to replicate. Unfortunately my materials didn’t let me do that.

I had planned on making the collar from ruched lace. That didn’t go so well. Since the lace print consists of solid floral designs and sheer mesh I ended up with areas completely opaque, and others that were very sheer. Even though it was gathered properly it looked uneven and messy. My only other option was using the point d’esprit netting for the collar, but I didn’t like how it looked gathered either. The stiffness of this netting makes it bulky when it’s gathered, which isn’t very flattering in the arm area.

So after a very frustrating evening I gave up on my pretty draped neckline and chose to pleat the netting instead. This way the netting will lay flat and won’t add bulk, it just looks nothing like what I had planned.

I pleated large rectangles down by eye – I didn’t want to leave any visible marks on the mesh so I tried my best to make them even without the help of a ruler.
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Before attaching the collar I sewed the black lace around the neckline, with only the scalloped edge extending past the bodice. Once the collar is sewn on only the scalloped edge will be visible. I did this partially to created some contrast, since the netting is similar to my skin tone, and also to imitate the way the scalloped edge of black lace meets the netting on the skirt.

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I sacrificed some skin from my knuckles (holy mother of pin pricks this process was not fun) and spent an hour pinning and arranging the collar in a way I liked.

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I put it on my dress form and was surprisingly happy with it. Does it look anything like I had planned? Nope. But once I got over that, I started to appreciate it for what it is, not what it was supposed to be. That isn’t ideal, but sometimes it happens. And what matters is that in the end I had a dress I really liked!

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It  looked surprisingly like the sketch I made for this project before studying the Mairlyn dress. I sort of forgot about this, and chose to go in a different direction after sketching this, but the dress looks almost identical to it! I guess sometimes your first instincts for what to do with fabric are the best ones.

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I sewed the collar on and tacked the pleats down with a whole bunch of hidden stitches. I also gathered the collar slightly on each side of the armholes, which makes it sit a little nicer on my arms.

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Here it is worn. This was my first time trying it on so I was a bit nervous! Luckily the collar looked pretty, more symmetrical than I had expected, and it fit my arms. Those were the three things I was concerned about and to have them all be non-issues was a pleasant surprise.

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Now it was time for rhinestones! A little while ago Creative Crystal sent me the bejeweler pro tool, which is for hotfix rhinestones. It is supposed to pick them up, melt the glue, then drop the crystal when it’s pressed against the surface you are embellishing. When I decided to buy rhinestones for this project I chose to buy them from the same store so I could give it a try.

I bought two hundred 3mm crystals, and two hundred 4mm ones. The 8mm ones were sent to me along with the tool, and they are all in the shade Jet. This project has pretty low fabric costs (maybe $30? the lace and netting were cheap) so I could justify spending the $27 for swarovski crystals…though I definitely won’t make a habit of it!

I felt the tool worked really well for the 3mm ones, it picked them up and melted the glue very quickly. The 4mm ones were kind of a hassle, the tool wouldn’t pick the stones up at all so they had to be placed by hand before using the tool to heat them. But the process was definitely cleaner and faster than it would be if I was using E6000 and the stones felt very secure once attached. So I kind of have mixed, but mostly positive feelings towards it.

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I placed a bunch of 3mm ones underneath the collar.

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And you can’t really tell, but 4mm crystals were placed in the center of each dot on the scalloped lace that trims the neckline.

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But most of the stones went into the skirt. I placed them somewhat randomly on the lower four inches of the lace. They look really pretty in certain lights, but aren’t as noticeable as I had hoped. I think it’s my own fault for buying black stones and placing them on black fabric, but still, i’m a bit disappointed!

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With the skirt and bodice done it was time to focus on attaching them to each other. But before doing that I cut out the lining and assembled it.

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Then I pinned the lining into the bodice.I only stitched it down around the neckline, the lower edge and back edges were left open and will be sewn down once the skirt and zipper are attached.

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It was at this point I realized the bodice wasn’t quite as symmetrical as I had thought. From the front it looked pretty good, but the pleats did not line up in the back. Luckily I had the perfect solution: Use a bow and cover that shit up. This isn’t the most professional solution, but I had wanted to put a bow on the back of this dress from the beginning.  I just placed it a little bit higher so it has a benefit other than being adorable.

The bow attaches with two hooks/bars after the bodice is zipped up, so if you are some  strange person who is offended by bows you can take comfort in the fact that it’s detachable.

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I sewed the back of the skirt up with a french seam. I left the top eight inches open, since that is where the zipper will be.

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Apparently I don’t have any photos of the zipper or attaching the skirt. But the process was pretty straightforward, the skirt was whip stitched to the interior of the bodice, then the lining was folded over the raw edge and sewn down. I sewed the zipper in but the zipper was three inches too short. Which is a stupid thing to have happen.

At this point I just wanted it done, so I closed the top few inches with hooks. Then I sewed the lining to cover the edges of the zipper. The final step was sewing in the petticoat topper, which is what you see below.

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And it was done!

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Here are some worn photos of it. After taking these I decided it needed a necklace, so I bought one from Macy’s which I will wear to the wedding. The shoes are lace with scalloped edging, which makes them perfect. They were purchased from DSW. The hair clips are from H&M, the earrings are PBS Downton Abbey Collection,  and the lipstick is Colourpop liquid lipstick in Creeper. I had lace nail decals from jamberry as well, but you can’t really see them.

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The bow is a little crooked in this picture, but that is an easy fix.

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And that’s it! I think this will be the last fashiony thing I make for a while. Even though I love how this turned out, I didn’t enjoy the process as much as I would have liked. I’m definitely ready to get back to historical stuff – maybe with a silly Halloween project mixed in.

Thanks for reading!

 
26 Comments

Posted by on September 11, 2015 in Fashion & Fantasy, The Making Of

 

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Making a Black Lace Dress, Part Two

Today i’m blogging about making the skirt to match the black lace bodice which I posted about last week. This part of the project went better than the bodice, and ended up being pretty easy!

 The pattern is a simple 18.5″ long three quarter circle skirt. The finished length after seams will be seventeen inches, which is pretty short, but there will be a six inch ruffle sewn onto the hem so hopefully it will rest just above my knees.

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The skirt was cut out of the polyester shantung I used for the bodice. I had just barely enough left!

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 I sewed a layer of black petticoat net overtop so it would match the bodice. The bodice actually had two layers of petticoat net on it, but I figured the gathered black lace at the waistline of the skirt would make it look darker and balance out the color difference.

Also I didn’t have a lot of petticoat net leftover. The second layer would have been made up of three or four pieces which I didn’t think would look that good.

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I was going to do a normal rolled hem on this but I ended up having just enough one inch wide horsehair left. So I used that instead. I sewed the horsehair on by machine, then turned the hem over and sewed it down by hand with whip stitches.

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With the circle skirt done I switched over to working on the petticoat topper and ruffle. The petticoat i’m wearing under this is  my cheap leg avenue one, since I plan on traveling with this dress and that one can be squished into a small plastic bag. But that petticoat is shorter than this skirt and doesn’t have the level of volume I wanted.

Which is where the petticoat topper comes in! It adds the length I want and a bit more poof. And it gets sewn into the dress so the dress could even be worn without a petticoat and still have a bit of volume.

I cut twelve and eleven inch wide strips for the petticoat topper, and six and a half inch wide strips for the ruffle on the hem of the circle skirt. All of these were cut from a beige point d’esprit netting I got from Joanns. I was pretty impressed with this netting – I think I paid less than $3 a yard for it and it was really soft and easy to work with, while still creating a good amount of volume.

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Anyway! The eleven inch wide strips got gathered down and sewn onto the twelve inch wide strips.

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And then the top was gathered down and tah-dah! It doesn’t look like much here but trust me, it helps with the skirt shape.

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Then the six inch wide strips were sewn together and the twelve yard length was gathered down.

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That is some ruffly goodness right there. I left all of these strips unhemmed because I prefer the look of that. This netting is soft enough that it isn’t scratchy, and it doesn’t fray, so it doesn’t really need to be hemmed anyway.

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The ruffle got pinned on.

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And topstitched on. I could have sewn it on by hand but I didn’t think anyone would really notice.

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Here it is on the dress form – It looks a little uneven but I promise it isn’t!

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With that done I cut out the lace overlay. This was nineteen inches long and three yards wide. I figured after the top was gathered down it would fall just below the hem of the circle skirt and make a nice transition into the netting.

I did that, and it kind of worked but I didn’t like the result.

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So I ripped the gathers out and pinned the scalloped edge of the lace onto the point where the netting attaches to the circle skirt. Then I roughly pinned the top to the waistline.  I realize this looks messy right now, but I liked this soo much better!

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I sewed the lace onto the hem.

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Then gathered the top down and sewed it onto the waistline of the circle skirt.

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I thought it looked really lovely, but there was a slight problem.

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The scalloped edge kept flipping up and that looked bad.

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So I spent an hour hand sewing the scalloped edge onto the netting.

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And then it was done! Or almost done. I still have to glue on the rhinestones but everything else is finished. I love how this turned out. I think the fabrics look lovely together and it’s so pretty and delicate. I was worried the lace would look cheap (I think I paid like $6 a yard for it? so it was cheap) and that my dress would end up looking cheap. But that concern went away after getting it to this point.

Like the last blog post, this one has a video counterpart which can be watched here.

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And that’s it! Part three should be up on Friday and will talk about the collar.

Thanks for reading!

 
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Posted by on September 8, 2015 in Fashion & Fantasy, The Making Of

 

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Making a Black Lace Dress, Part One

In a couple weeks my uncle is getting married. That means i’ll being going to a semi-formal event and need to wear a semi-formal dress. I’ve made a few of those before but they all either obnoxious, too formal, or white, which wouldn’t be very appropriate! I could have bought a dress, but for the first time in forever I had the opportunity to make a dress and actually wear it somewhere, and I felt like I owed it to myself to do just that.

I bought the fabrics before I had a design in mind. I had fifty percent off coupons and thought the fabrics looked pretty together so I picked up three yards of black lace and four yards of point d’esprit netting. I also ended up buying shoes to match the lace before actually making the dress, so those are pictured below as well.


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I had some black cotton sateen, ivory shantung (leftover from my Royal Milk Tea costume), and quilters cotton  laying around as well. The material costs on this dress were pretty low so I splurged and ordered four hundred swarovski crystals in the color “jet”.

Now I had my materials, but I didn’t have a design.

I wanted an A-line silhouette with a structured bodice since I think that flatters me best. I sketched up a simple strapless dress with a lace overlay, which was nice but very boring. The shape of it made me think of vintage dresses from the mid 1900s, so I started browsing pinterest in search of inspiration. Eventually I came across something I really, really, liked. It’s the dress Marilyn Monroe wore to the oscars in 1951.

I think it’s beautiful. I wanted to make something really similar to it, as in identical but with a shorter hem and contrasting fabrics. I titled my progress folder “Mairlyn” because of that.

But things really didn’t go as planned. I  made some decisions which took the design in a different direction, and my materials were way stiffer and more opaque which prevented the airy ruched collar. So my dress looks nothing like this one, at all, but I still love this dress and wanted to share it because look at it. It’s so pretty.

Step one was draping the bodice. One of my favorite details about the dress I used for inspiration is the illusion neckline created with flesh toned fabric. I figured I could do something similar, which is why there is a line about an inch away from the edge around the bodice neckline.

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I wanted this bodice to be really structured so I cut it into several different pieces which allows me to add boning into the seams.

I copied all the pieces onto tracing paper and added seam allowances so I could assemble my first mock up.

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Here is the fabric after being removed from the dress form.

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And the pattern it got turned into.

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I made my first mock up and it went really well. So well that I decided not to bother making another mock up. I regret this decision because I think the finished bodice would fit a lot better if I had made a second mockup and did a test run with the boning.

Since my mock up didn’t have boning in the bra cups they slouched down a bit and made the neckline look a lot deeper than it actually was.

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Because the neckline was lower than I expected I decided to remove the illusion neckline aspect of the bodice. It was revealing enough without that, and even though it wouldn’t cause more skin to show it would hint at it, and I didn’t think that was necessary.

So I made some pattern alterations and added more seam allowance. Now I had a pattern that looked like this!

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Like most structured bodices this will be made up of three layers. The top layer is made from the fashion fabrics, the base layer where boning and structure is placed, and the final layer is lining to hide anything ugly on the interior.

I started by making the base layer. Since the top layer will be stiff I didn’t want to add bulk by having a base layer made from heavy materials. So I chose a medium weight quilters cotton. All the boning channels will be backed with canvas and it will be stitched directly to the top layer of fabric so i’m not worried about it stretching or warping overtime, even though it is a lighter fabric than what would usually be used as a base.

I cut all the pieces out and marked the boning channels. Then they were sewn together with three quarter inch seams.

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I clipped the bust seams just below the line where underwire will be added, then I turned the seam allowance inward and pinned them down. Once these are sewn I will have boning channels I can feed plastic boning into. Plastic boning won’t compress the bust, but it will prevent the fabric from turning over or collapsing down, which happens a lot on strapless bodices if you have a small bust.

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Then I created the rest of the boning channels. I used spiral steel boning and bias tape to create underwire beneath the bust. Ribbon backed with canvas was sewn on to create channels for the really thick, stiff, steel bones. Some seams were folded inward to create channels for the flimsier bones, which are either plastic or spiral steel.

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Here the bodice is with all the bones added and the bra cups pinned in. These were bra cups I bought for my Royal Milk Tea costume ages ago – I threw that costume away a long time ago but salvaged the trims, boning, and notions. When I installed these in that costume I had no clue how to draft a bodice to fit them, or how to sew them in. They ended up being really uneven and that bodice gaped horribly at the neckline, you see straight down it.

Those were bad times. But i’ve learned a lot since then, and this time they got sewn in properly!

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Here is how the base layer looked when I tried it on. I was so ridiculously pleased with this fit. There was a bit of warped boning in the back – this is the fault of a spiral steel bone. This was my first time using spiral steel and i’ve decided it’s pretty damn useless, plastic boning holds its shape better, is easier to move in, and a lot easier to install.

Aside from that, I thought this looked pretty great.

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Here it is laid flat. The underwire doesn’t look great here, but it sits smoothly against the body when it’s worn.

There were a couple things I noticed during the fitting. The first was that the neckline was way higher (like, a whole inch higher) than I was expecting. As I said earlier, this is because my mock up didn’t have boning in it so it slouched down. With the boning holding the material up it sits much higher on the body. This is good and bad. It means the neckline is high enough for me to feel comfortable adding the illusion neckline back in (yay!) but I think the neckline is a little bit too high. If I ever use this pattern again I would chop a half inch off.

The other thing is that it’s slightly too long in the waist. By maybe a quarter inch. Which means it digs into my hips a little. But this dress will be worn over petticoats, which should provide a bit of padding and prevent anything from bruising or bleeding (I hope).

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Since the illusion neckline is back I made a quick alteration to the two front panels of my bodice. On the left you can see the original pattern, and on the right you can see the altered version.

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Finally we are onto the top layer of the bodice! I cut everything out from polyester shantung, then pinned two layers of petticoat net overtop. I didn’t like how bright the ivory was beneath the black lace, this helps dull that a bit.

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…And now we skip a few steps! I sewed the netting overtop of the shantung, then basted a layer of lace on top. The only panels that didn’t get an overlay are the top pieces of the front panels. I left this material plain so it would better match my skin tone.

All the pieces got sewn together with three quarter inch seams.

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I didn’t do the smoothest job on those curvy seams at the bust, but that’ll be hidden by the collar so it’s okay.

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I traced around the neckline and measured an inch and a half away from the traced line, this created a facing which got sewn onto the right side of the bodice.

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I turned the facing over and sewed it down to get a finished edge. I tucked the base layer between the facing and top layer of fabric, then stitched it to the facing.  To further secure the base layer in place I sewed the lower edge of the top layer to the base layer and turned them over to get a finished edge.

I hope that paragraph makes at least a little bit of sense.

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I created a paper guide for where topstitching should be around the bust. I used pins as a guideline and carefully stitched across them by hand to secure the two layers together.

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When it came to actually trying on the bodice I ran into a little problem. It wasn’t too small, but it was too small to zip up (there is totally a difference). If I added a lace up back it would have been fine, but I didn’t want to do that. I tried adding extensions onto the back of the bodice but then it was too big and the boning gaped away from my body.

Finally I figured out a solution: Make a little girdle/waistband thing that goes on before the bodice to cinch my waist in, then zip the bodice up.

To do that I quilted a piece of shantung and backed it with cotton. Then I sewed in plastic boning so it wouldn’t scrunch up. Hooks/eyes were stitched into the front with upholstery thread to create a closure.

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It leaves behind some pretty ugly marks, but it worked really well!

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The bodice zips up nicely. Does it kind of painfully dig into my hips? Yup. Will the petticoats help pad that? I really hope so. Even if it doesn’t I should be fine, it doesn’t restrict or alter my breathing in anyway so it isn’t dangerous, it’s just uncomfortable and might leave behind some bruises.

I wish I could change a few things to make it fit better (like go back in time and make another mock up… ) but at this point those would be MAJOR changes, and I only have a few days left to get this project finished. So i’m leaving it this way for now, and i’ll suffer through for the sake of looking pretty.

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I think that’s it for the bodice – the skirt, collar, and other good stuff will be coming up next week. Also I vlogged throughout the whole process. If you would like to hear me ramble on about my thoughts on this project as I make it, you can watch the videos here!

Thanks for reading!

 
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Posted by on September 4, 2015 in Fashion & Fantasy, The Making Of

 

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Making a Dress out of Ikea Curtains

I recently went to ikea. Going to ikea is usually a fun experience, because I enjoy places with a lot of stuff I don’t need but find very appealing because it is cheap and aesthetically pleasing. I got a new rug for my sewing room, and a little wire cart for under my desk. But the most exciting purchase were the curtains I got.

I don’t need curtains. I don’t plan on using any of the sets as curtains. The reason I bought them is because the curtains are effectively very large panels of fabric. About five and a half yards of fabric, in fact, which is enough to make a dress! That’s what i’ll be doing today. This entire dress is made from a pair of curtains and a zipper, which cost a grand total of $16. And it only took me five hours to make!

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I sort of gave up on photographing this project part way through. I made this dress for my youtube channel, and wasn’t even sure if I would blog about it, which is why the pictures are limited. But there should be enough for you to understand the process!

Here is the material. These are EIVOR curtains.

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Two 57″ x 98″ panels – that is soo much fabric, it ends up being less than $3 a yard.

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It’s a stiff cotton fabric and it feels a lot like the broadcloth you get at fabric stores. This isn’t a print I would usually go for, but I thought it was really cute. It’s a large sketchy black pattern of branches, leaves, and birds.

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As I said, this isn’t a print I would usually go for, so I wasn’t entirely sure what to make with it. I decided to browse etsy for ideas. I ended up searching for 1950s summer dresses, since they often have cute, but simple designs, which suit a large print. I found two that I really liked, they can be seen here and here.

Here is one of the images from the listing (photo belongs MinxouriVintage, not me) in case it gets removed and isn’t visible later on. I thought this neckline was pretty, and the bows on the straps won me over completely.

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So I used some scraps of a batik fabric and draped a pattern on my dress form which I felt looked similar. I know it looks pretty shoddy here, but I ironed it, cleaned up the edges, and transferred it onto paper.

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After all that it looked like this! Much nicer!

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I cut the bodice out twice. One layer will be the front, the other will be the lining. Since this fabric isn’t completely opaque the print on the lining layer is visible from the outside. I could have used a pure white cotton lining instead, but I liked being able to see the print. It ads a shadowy effect which I think is cool.

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I marked the darts onto the wrong side of the fabric. Then they got pinned and sewed in place.

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…And that was where I gave up on photographing the process. So we skip a lot of steps! I pinned the layers together, so the right sides were facing each other. Then I sewed around the neckline and center back with a half inch seam allowance. I turned the bodice so the right sides are facing out and top stitched around the neckline.

Then I made bias tape from one and a half inch wide strips of bias cut fabric. I folded the edges inward and pinned them over the arm holes. I made the bias tape sixteen or so inches longer than the arm hole. Eight inches hang off of either side and will serve as straps.

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I sewed the bias tape on and that was pretty much it for the bodice! The straps got tied into bows and it was done.

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The skirt is three twenty three inch long panels, which are the full width of the curtains (fifty seven inches).

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I sewed them together, then hemmed the bottom edge. I did this by machine for once, hoping to save time. The edge was turned over by a half inch, then by one inch, to get a clean finish.

The top was gathered down by machine as well. I pushed the fabric under the foot as I went and ran it through the machine several times to get it down to the twenty eight inches it needed to be.

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The skirt was pinned to the bodice and I sewed the waist seam. I also covered the raw edge with bias tape.

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The final step was adding a zipper and sewing up the back seam. Then it was done!

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And here it is worn. It looks cute without a petticoat, but for these pictures I wore a cheap leg avenue petti – I got mine on ebay but i’m pretty sure that is the same one.

I like this dress a lot, especially considering it only took $16 and five hours to make!

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Thanks for reading!

 

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