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Draped Velvet Dress, Photos

As promised, here are the worn photos of this years Christmas Costume!

These were taken at a Christmas tree farm. This was our fourth years photographing a costume there, and I think this year was the most successful. The lighting was on our side for once, and it’s easier to focus on a red dress than a white one. It’s also a really easy dress to lay out and walk around in since there isn’t a petticoat.

The only downside was it being a bit muddy and really cold. It isn’t a practical dress for December. But I think it looked lovely in this environment, so I’m glad that I didn’t let that stop me.

Construction notes on this dress can be found here. And making of videos are posted here.

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And that’s it! I think I have one more post going up before Christmas, but incase I forget: I hope you all have a wonderful Christmas, or Holiday, or if you don’t celebrate, then a really great week in general. Thanks for reading!

 

 
15 Comments

Posted by on December 18, 2016 in Completed Costumes, Fashion & Fantasy

 

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Making a Draped Velvet Dress

It’s that time of the year again! The time where I make a holiday inspired dress out of festively colored fabrics! In the past these have been elaborate gowns, and usually some of my favorite costumes that I make in a year. This years doesn’t rank that highly on my list, since it’s lacking the ruffles and beaded details that I gravitate towards, but I do like how it turned out! Especially considering that inspiration was tough to come by for this piece.

really wanted to make an elaborate 1950’s style evening gown, but I didn’t have the materials for it. The next idea I had and felt enthusiastic about was more appropriate for a snowy winter backdrop, which we won’t get until January or February. So I settled on this design: A “simple” draped gown made from red velvet.

Though this looks easier than my previous Christmas costumes it took longer than last years to put together. I’m far more comfortable with making structured, or ruffly gowns. Doing something sleek and draped requires skills I’ve never had to develop.

But I think I managed to do an okay job! Since the dress was lacking drama I paired it with some home made accessories with hopes it would dress the ensemble up. I think it worked out quite nicely, though it still isn’t my favorite project of the year.

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The first step was playing around with velvet and pinning it to my dress form until I had a shape I liked. I really liked how it looked with the center gathered, a deep neckline, and off the shoulder draped straps (sleeves?) so I decided to go with that. Then I pinned cotton onto the other side of my dress form until I achieved a similar shape.

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I transferred that onto paper and added seam allowances. Now I had a pattern to use for the base. Even though this dress looks loose and (hopefully) effortless, it has a stiff base layer that supports the shape and keeps everything in place. This is especially important for this project since velvet is heavy – keeping it up takes work!

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I debated about making a mock up but since the boning determines the fit, and boning is a pain to sew into mock ups I decided to make the real thing right away. But I was willing to restart if it was really off.

Luckily it fit perfectly! I decided to deepen the neckline, and make it more of a “V” than the sweetheart shape it originally had, but everything else seemed fine.

The base layer was cut from a cheap, stiff, quilting cotton. I cut each piece out four times, so the base is two layers of quilting cotton thick. This makes it more supportive and means I could insert the boning in between the layers of fabric rather than having to sew external boning channels.

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After adding the boning (all 1/4″ plastic bones) I turned the neckline inward.

In this picture the left is turned inward more than the right side to create the V effect I wanted. After deciding I preferred this I repeated the process on the other side

. Since the base layer will be hidden by velvet I sewed all these edges by machine.

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I sewed facings to the arm openings…then realized I forgot to support the highest points of the bodice, which also happen to be where the straps mount. This meant there would be nothing to support the straps, and they would flop outward.

So I sewed external boning channels made from ribbon on either side of the arm openings.

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I also turned the bottom and back edges inward.

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The final step for the base layer were the sleeve supports – which are just pieces of ribbon sewn to the high points of the bodice.

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Here it is on the dress form. The ugly side faces outward, since that will be the side covered by velvet.

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While it was on my dress form I draped velvet overtop and used basting stitches to mark the points where the velvet should be gathered or turn inward.

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Once I took it off my dress form I smoothed out the edges, then used it as a guide for cutting out a piece of velvet for the other side.

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These pieces were sewn together across the front edge with a one inch seam allowance. Then I used pins to mark the gathering line at the front.

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It was gathered down by hand with running stitches. Something about gathering velvet is super satisfying, it’s thick enough to form cartridge-pleat-like gathers but has a wide enough weave that it’s easy to sew through. Every other part of working with velvet sucks, but it gathers beautifully.

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I roughly turned the edges inward and pinned the front panel onto the base layer.

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Then I pinned that onto my dress form and draped the skirt panel for the back of the dress.

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And I used that as a guide for cutting out the panel for the other side.

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The top edge was gathered down so there is more volume at the back of the skirt.

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Then it was sewn onto the bodice portion of the back panel, which was cut from the same pattern as the base layer.

The side seams were sewn up too, with a one inch seam allowance. I sewed all the seams in this normally – no french seams for once! Velvet is really prone to shifting and sewing the pieces together once was enough of a headache, so I just pinked the edges and decided to let them be.

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To make the neckline a little less extreme (and to incorporate a color I plan on using for next years project) I cut four inch wide strips of mesh. I folded the mesh in half so it was more opaque, then sewed it onto the neckline of the bodice in such a way that it extends three quarters of an inch past the base layer.

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Then I pinned the dress onto the base layer. I started at the waistline, then moved upward.

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I sewed the waistline of the velvet layer to the base by hand with whip stitches.

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I tried the bodice on at this point and the result was disappointing. The waistline looked fine, but the velvet was really droopy in the bust area and I couldn’t see how to fix it. I didn’t think the bodice fit my dress form well enough to adjust the draping there, and the dress didn’t have closures yet, so I couldn’t wear it while adjusting it.

After a few days of procrastinating I tried pinning it to my dress form and that worked amazingly well. In ten minutes and with a bit of pinning I had fixed the droopiness. I’m glad I found an easy solution, but I sure wish I had tried it a few days earlier!

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After smoothing out the edges a bit more I took the dress off my dress form, then sewed around all the edges with slip stitches so they are secured to the base layer.

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I also folded the bottom edge of the straps inward, and the material at the back of the bodice. The photo of it finished is a bit blurry, but you get the idea!

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Then I sewed closures in, which are eyelets embroidered with matching thread.

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At this point I decided to finish the dress in two days so I could photograph it that weekend (made more difficult by the limited hours I could work on it and have good enough lighting to film the process) so photographing my progress fell to the wayside. Sorry about that, I’ll try to explain everything I forgot to photograph!

After a fitting I realized the bodice was a bit big – it stayed in place when worn, but wasn’t as flattering as I wanted. I ended up taking it in near the side seams with darts.

I also realized that the straps looked pretty pathetic, which I was expecting. They were really narrow and lacking the draped effect I wanted. So I cut out two rectangles, hemmed the edges with a cross stitch, and gathered the short edges down to approximately two inches. These were pinned just underneath the existing straps. I sewed the gathered edges to the base layer, with the top edge secured to the bottom of the ribbon sleeve support.

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I sewed up the back seam with a one inch allowance and left the top ten inches open. I folded the edges of the unsewed portion inward, then sewed them down by hand. Three snaps were sewn to the opening to keep it closed. Then I sewed a velvet modesty panel to the back, it’s mostly to prevent skin from showing through the eyelets, but I extended to past the opening left in the skirt, since snaps aren’t super reliable.

The hem is a half inch rolled hem sewn by hand. It might be my least favorite hem I’ve ever done – the sewing is fine, but it’s SO uneven. I leveled it while the dress was on my dress form and though it looks perfect when worn, I swear there are four inch discrepancies between each side. I have no clue what happened.

After a fitting I noticed the dress was gaping away from my shoulders. It fit the bust fit fine, but the weight of the velvet I added to the straps made the high points of the bodice fold outward. So I sadly had to add over the shoulder straps, which did not go with the design I planned. But it meant I got to use some of the glittery velvet ribbon I’ve been hoarding since last Christmas, which was nice.

In future I would shorten these straps – I sewed them on the night before wearing it, and did not do a fit check. They stay up but only if I stand very straight, which is kind of annoying.

The final touch were a few velvet poinsettias and sprigs of pine that I glued on.

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I was worried these would take away from the simple elegance of the dress, but I think they add a lot to it. It makes it more interesting it and ties the dress and the accessories together.

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Only thing I regret is placing one pine sprig in such a way that it digs into my armpit. That was a bad decision.

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Speaking of accessories – this dress has three! The first is the headpiece I made last year, which you can see a tutorial of here.

The other two are new additions – a staff, and a necklace. I thought the dress was a bit boring on it’s own, and these made it more exciting and costume-y. They were also really easy to make.

For the necklace I used two strands of red glass beads I got from Jo-anns, plus a crystal pendent. These were threaded onto some 6lb fireline with a clasp at the back. Then I used some thread to tie a piece of chain to the clasp, which hangs closer to the throat. I also tied three smaller crystal beads onto it. The whole thing isn’t very sturdy, I really should have bought a heavier thread, and chain that was meant for beading, not for sewing onto garments, but it’s pretty!

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The staff took longer to make, but it wasn’t very challenging either. My dad and I went hunting for appropriate sticks in our backyard and eventually found a small pine tree that had been cut down a few years prior. We broke off the branches and he cut off the bottom twelve inches so it would fit in the car.

Then I decorated it. Since the bark was spiky I glued ribbon around the point I planned on grasping it. I also glued on glittery pine cones, fake glittery pine branches, and velvet poinsettias to make it more exciting. There is a strand of lights on it took, which unfortunately don’t show up well in photos.

I was worried I didn’t get enough to decorate it (I was too cheap to buy the garlands – the ones I liked would have been thirty bucks). In total I spent fifteen dollars to decorate it and I have a ton of flowers leftover.

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And that’s it! As I said, it isn’t my favorite Christmas costume, but I like how it turned out. Especially with all the accessories – I think they really bring it together.

I’m also glad I pushed myself a bit, maybe I’ll do more things with draped details in the future.

Thanks for reading! A post with photos will follow this one! And if you want to see videos of me constructing then click here!

 
9 Comments

Posted by on December 18, 2016 in Fashion & Fantasy, The Making Of

 

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Gold and Ivory Gown, Photos

Here is the photo set that I promised! I didn’t think I would have these finished until tomorrow, but I got them done a day early (this may be the lamest Christmas miracle ever) so here they are.

For the third year in a row my dad and I went to a Christmas Tree Farm and asked if we could take photos. The people that own the farm said yes, so we spent a good hour taking pictures and looking for the best clusters of trees that would make a nice backdrop.

Last year our trip there wasn’t very successful since the dress didn’t really suit the environment. But this time it went wonderfully! I think the contrast of the white dress against the green is striking, and the headpiece works nicely with the surroundings. Plus it was a really nice day, which helped.

Usually I only post eight or so photos, but I couldn’t narrow it down this time so i’m posting double that!

If you’ve missed my “The Making of” posts about this project, they can be read here, here, and here. I also have videos about making it which are posted here.


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These ones turned out a little odd thanks to shadows from a tree that I didn’t notice until we got home. But I still like the pictures!

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And that’s it! This is definitely my last post before Christmas, and mostly likely my last post of the new year. I hope you all have a fantastic holiday (or week, if you don’t celebrate any of them) and a great start to the new year!

Thanks for reading!

 

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Making a Gold and Ivory Gown, Part Two

It’s time for the second post about making this years holiday dress! Part one can be read here and is about making the bodice. Today i’ll be going over how I made the sleeves, which i’m excited about because they are my favorite part of this dress. I wasn’t expecting to like them so much, since they are really simple, but I adore how the cuffs turned out. They have little bows on them so my wrists feel like presents!

I started by drafting a full length puff sleeve pattern. They flare out more at the bottom, so they have a slight bell shape but are pretty full at the top too. I probably would have made these wider but I was working with fabric limitations. I’m kind of happy the fabric restricted me, because the shape worked out really nicely and they probably wouldn’t have looked right if they were any bigger.

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I turned the bottom five inches of the sleeves edge inward by a half inch and sewed it down. Then turned it inward again so the raw edge was hidden, and sewed it in place with a whip stitch. I did this because the lower few inches of these sleeves have to be left open to allow my hand to pass through.  My hands are too big to fit if they are sewn closed all the way to the wrist cuff!

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I also gathered the lower edge of the sleeve down to my wrists circumference by hand with a running stitch that was pulled taught as I went.

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Then I cut out the lining for the cuffs, which are just rectangles of quilters cotton. I marked guidelines an inch away from each edge, then folded the raw edge up so it touched that line and sewed it in place.

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This way every edge of my cuff was finished.

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I pinned my sleeves onto the cuffs, with all the raw edges facing upward. Then sewed it down with my machine.

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The gathered edge was quite bulky so I topstitched over it several times until it became relatively flat. The backside of these did not look pretty, but they are functional, which is what matters most when it comes to the interiors of garments!

Since these cuffs are very fitted I decided to use hook/eye closures. I sewed two of these into each cuff – one at the top, one at the bottom.

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My cuffs fit perfectly at this point, but I realized later that I actually made them too small. The cotton had a tiny bit of stretch to it, so they eased nicely over my wrists. Once I added the top layer of fabric (which didn’t have ANY stretch) to the cuffs, they became much more difficult to hook up and I was left with some red marks after wearing them for long periods of time. Silly mistake on my part.

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Once the hooks were sewn in I trimmed the frayed edges at the cuffs.

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Then I cut out two pieces of ribbon and stitched them over the top side of the cuff, so all the ugly bits were hidden.

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Doesn’t that look so much better?

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Now it was time to make the bows for the cuffs. Here are the two lengths of ribbon I cut for them – I’d say I used around ten inches of ribbon for each one. I sewed the ends of the ribbon together so I had two circles, then pressed down in the center of the circle so I had two even loops.

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I wanted to use the same ribbon for the centers of the bows, but this ribbon is awfully wide for the centers of such small bows. So I folded the velvet part of the ribbon towards the gold trim and sewed it down. This created a quarter inch wide fold that made my ribbon a half inch smaller, and much more appropriate for these bows.

(I take bows very seriously, clearly)

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Then I wrapped the smaller ribbon around the center of each bow and sewed the ends together. And tah-dah, perfect little bows!

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I was going to put these on the backs of the cuffs, but they were so cute that I decided to sew them onto the front instead. Here they are pinned in place.

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And sewn on!

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Then I sewed up the side seam with a french seam. Like I mentioned earlier, I left the lower few inches open so I can fit my hand through.

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I sewed the bottom half of the sleeve on first, then gathered the top half so it perfectly fit into the arm opening. Then it was sewed in place with a whip stitch. I’ve been doing puff sleeves this way a lot recently because it lets me better visualize how dense I want the gathers to be before sewing them, which I like.

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At this point the interior of the bodice wasn’t looking great. It isn’t that bad, but there are some frayed edges and knots of thread which aren’t nice to look at.

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So I cut out a layer of lining from quilters cotton.

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Pinned it in place.

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And sewed it in with a whip stitch.

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Then my bodice, and sleeves, were complete! It still doesn’t look like much. I think this bodice really comes to life when it’s worn, it’s quite…flat looking when it’s just laid out. Luckily I will have worn pictures to share very soon – they should be going up on Wednesday or Thursday.

DSC_9744The final “The making of” post and video about this project will be up tomorrow! And that will be followed by photos of the finished ensemble. I got behind on my Christmas related posts, so you will be getting a lot of posts at once (I hope you don’t mind too much)!

Really quickly I wanted to mention the Christmas themed headpiece I made. It isn’t exciting enough to get it’s own post, but I’m really happy with how it turned out so I wanted to share it with you guys. A tutorial on the process of making it can be watched here, and photos will be below!

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Thanks for reading!

 

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The Christmas Costume, Photos

I’m really happy to finally be posting all these photos!

As soon as I started this costume I knew it would be somewhat holiday themed, and I wanted to photograph it in an area that matched. A tree farm seemed perfect but I wasn’t sure I would have it done on time, or be able to find one that didn’t have anything industrial in the background.

Luckily neither of these things were a problem, and we managed to find a tree farm willing to let us take photos. It was a nice day and the lighting was really lovely, so these pictures came out even better then I had expected they would.

My one peeve is that it was muddy, and I had to hike my skirts up as we walked through the lot, which resulted in the dress getting wrinkled! But other then that everything is like I imagined.

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I hope you all enjoy the holidays!

 
 

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The Christmas Costume – A Glittery Gown – Part 2

Today something pretty unbelievable happened – I hit five hundred thousand all time views on my blog, which some people probably wouldn’t consider a lot. But i’m amazed, and smiling, and giddy because that is just so many people. I can’t even comprehend the fact that many people have read or willing viewed the ridiculously long rambles I write about making things.

I mean, hell, I still remember the months where I would get one thousand views in the entire month. And I was so proud of that, and now I get that in a day, and it’s insane. But I’m also really happy, and I really appreciate the fact so many people continue to take interest! So thanks for reading, even if you don’t read often, because it has contributed in some way to this overwhelming happiness i’m feeling today.

Anyway,

I do actually have progress to share, too, and I will get into that right now. 

Since Christmas is just around the corner, it seems fitting to talk about my Christmas Costume! A few weeks ago I wrote a whole post on the concept and how I made the bodice, and that post can be found here. If you haven’t already, I would suggest you read that post before this one. 

This post will talk about the skirt, and the crown. I should have the post about the cloak up on Sunday, with photos of it all together posted on Christmas eve! 

The skirt and crown were by far the easiest part of this costume. Especially when compared to the bodice and cape, these pieces were an absolute vacation to work on.

I had originally planned to make my skirt a giant rectangle… but then I realized I didn’t have much material left, not nearly enough to make the skirt as full as I had wanted. I decided to attempt it anyway, figuring it would probably be fine. 

So I used all the material I had left…

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When I draped it over the petticoat I had made ( I talk about making it here) I realized it was really not going to work at all. The skirt was too small for the petticoat, and it looked like a stuffed cone that caved in at the bottom. A disaster. 

I mean, disaster might be a slight exaggeration, but it definitely wasn’t what I wanted.

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Soo I rifled through my fabric bins and came up with some yellow brocade that didn’t really match, but would have to be good enough. I sewed it onto the back panels of my rectangle skirt, then gathered it down onto a basic waistband. Here is what the back of the skirt looked like once I was finished…

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I thought it looked pretty terrible, and to be honest I still don’t think it looks quite right. But it’s grown on me a lot throughout the sewing process. I think it brings out the yellow in the sleeves, which creates more contrast and makes the costume as a whole look more interesting. 

I went ahead and hemmed the whole thing, I did a double three quarter inch hem and whip stitched it by hand. It took longer then I would care to admit, but it looks much better then doing it by machine. 

Once that was finished I sewed the skirt onto the bodice (by hand) and declared the dress finished! 

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And when worn…

(since I wasn’t wearing heels the dress is a bit too long and folds over in the front, oops) 

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I’m super happy to call that complete! But this post isn’t over just yet. 

When I first looked at this fabric it looked so holiday and christmasy to me, and when I decided to make an elaborate gown from it, I knew I needed a matching headpiece. I thought about several crown ideas before deciding on a flower crown. 

Now you may think that flower crowns are too casual to go with such a dress, and most probably would be. But when you choose (like I did) to make one entirely out of glittery christmas tree decorations, they definitely do not fit into the casual category. 

My materials were all purchased at Michaels (a craft store) from the holiday decor section. These were all 50% off and cost me seven dollars or so in total? It was something like that. 

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I also took some supplies from my stash, plastic boning, organza, and some hot glue. 

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I cut my organza into strips, then did a half inch rolled hem.

DSC_2775Once both edges were finished, I gathered and sewed it onto a piece of plastic boning.

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I pulled all the flowers off the stems, and cut apart the leafy gold ones that I purchased. Then I went a bit crazy and glued them all over the damn thing until I was happy with it. 

Once I was done I used hot glue to connect the two ends, then I snipped away the extra and it was done!

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Isn’t that lovely?

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It’s pretty ridiculous I know, but so is the dress, so I think it works! 

Thank you for reading~

 
1 Comment

Posted by on December 20, 2013 in Historically Inspired, The Making Of

 

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